NQC 2008: Wrapping up, Highlights, and Suggestions

I have finally finished getting up all my photo galleries and videos from NQC 2008. So to wrap up coverage, here are some highlights and suggestions.


  • Wes Burke over at Burke’s Brainwork asks what NQC 2008’s breakout artist was. This year, I do not think it was a group as much as it was an individual: Jacob Kitson. All day on Monday and until Greater Vision’s set on Tuesday, it was easy to find time to talk with him. Quite a bit of the time, he was either standing at the booth or talking with one or two people. On Greater Vision’s Tuesday set, he was introduced via the song “Little is Much”; for the rest of the week, if you wanted to reach him, you had to wait in a line as long as the line to talk to Gerald Wolfe.
  • Talking with artists. The artists do this week for the fans as much as anything else. They are happy to spend time talking with fans who come up. I had many great conversations with artists this week (and for whatever it’s worth, those who didn’t already know me were happy to talk with me long before I mentioned that I operate a Southern Gospel website).
  • Lari Goss’s appearance at Pianorama, playing “When I Survey the Wondrous Cross,” has to go down as a highlight.


  • Many sets this year felt a little too rushed, as groups tried to fit four songs in before the clock ran out. Let the headliners for each night sing more than 17 minutes; perhaps assign two to four artists as the headliners for each night, and give each of them a half-hour at the end of the concert. Don’t have any group be a headliner more than once, though the groups can still have briefer sets at other points in the week.
  • Keep Gaither and Signature Sound. One of my co-workers, who spent more time at my magazine publisher’s booth than I did, had time to observe the audience and commented that on Thursday, with the Gaither team showed up, the enthusiasm level at the convention just came to a whole new level.
  • Invite the Collingsworth Family to appear on main stage. Theirs was the biggest omission from this year’s program.
  • If Singing News ever drops Fan Awards, instead do NQC Fan Awards, voted on the spot by ticketholders (and possibly exhibitors, artists, and media; that part is debatable). You’d probably be guaranteed of 4000-8000 votes.
  • Set aside an hour or two each day before the main program begins to allow lesser known groups to sing on the main stage. This would be a level somewhere between showcase and a major mainstage appearance. There are so many deserving groups currently appearing in the showcases that deserve a mainstage slot, even if it is lower profile than the 6:00-12:00 program.
  • During this time, set aside an hour or two before the main program on one of the big days (Thursday-Saturday) to put on the main stage all the classic groups that deserve to be there because of their heritage and what they have meant to past National Quartet Conventions. Groups like the Blackwood Brothers, Chuck Wagon Gang, Naomi and the Segos, and the Weatherfords deserve some recognition for past accomplishments, no matter if they currently keep a lower profile.

For more about —and other Southern Gospel news and commentary—follow our RSS feed or sign up for our email updates!

5 Letters to the Editor

Southern Gospel Journal welcomes letters to the editor. We will post the most thoughtful and insightful submissions. Ground rules: Don't attack or belittle groups or fellow posters, or advance heresies rejected by orthodox Christianity. Do keep comments positive, constructive, and on topic.
  1. I believe the 17-minute move from NQC was a smart move. It made for a whole lot less talking and a whole lot more singing. Most all of the groups got at least 4-5 songs in their time, and groups like the Dixie Melody Boys and Dixie Echoes managed to fit 6-7, which is an accomplishment in itself. I say this format needs to stay.

    I join in with several of those who respect our legends when I say that the Blackwood Brothers, Melody Boys, Chuck Wagon Gang, Weatherfords, and Segos all deserve not only their own showcase perhaps, but time on the main stage. There were groups on the program this year, while some good and some not, could not begin to even combined meet the ticket sales of the Chuck Wagon Gang alone. Naomi & the Segos, despite their one night and limited time, were very well received from what I could tell while watching my live feed. I was happy with how NQC handled their program on the stage in terms of time and the genius idea of having more groups joining each other on stage, but the legends need their due while they are still here.

  2. Thanks so much for covering the convention. That is a dream of mine to go, but I will never be able too. You may have been there, but I have talked to people and the first name that is brought up is the Booth Brothers. When I go to singings that is all people talk about and by them walking away with 6 awards tells you something!!! Many many people have waited on Look for Me to be the #1song for so long. It may have been recorded years ago but no one can sing it like Michael Booth. Again thanks for all the pictures and the emails that let us be a small part.


  3. The program booklet showed MANY artists getting more than 17 minute sets. Am I missing something here?

  4. Yes–the time the emcees take doing jokes between groups.

  5. ABK had it right, 17 minutes was the most time any artist had. the times listed in the book included emcee, comedy, vintage video, etc, times.
    I don’t think 17 minutes is enough time! While I would prefer to showcase someone like the Booth Brothers caliber for a longer period of time, 3 times a week, I’d be happy with 25 minutes on Monday & Friday instead of 17 minutes on Mon, Wed, & Fri.

    Longer time makes it easier to connect with the audience. While I don’t like much talking, it’s a shame that the comedians can ramble on and on, but the groups hardly have enough time to even mention the song titles or group members.